Details

Oboe Unbound


Oboe Unbound

Contemporary Techniques
The New Instrumentation Series

von: Libby Van Cleve

59,99 €

Verlag: Rowman & Littlefield Publishers
Format: EPUB
Veröffentl.: 16.10.2014
ISBN/EAN: 9780810886728
Sprache: englisch
Anzahl Seiten: 142

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Beschreibungen

<span><span>After decades of experimentation, musicians have begun to utilize a strikingly colorful palette of sounds on woodwind instruments. Flute, clarinet, and saxophone players, in many different musical settings, regularly use sounds that were unheard of in the middle of the twentieth century. Oboists, in comparison, have lagged somewhat behind their more adventurous colleagues. <br><br>In writing </span><span>Oboe Unbound: Contemporary Techniques</span><span>, author Libby Van Cleve opens up the tradition-bound assumptions of the instrument’s capabilities. Not only does she include descriptions of the instrument’s standard technique from range and reeds to the use of vibrato, but she also discusses recent techniques, such as multiphonics, microtones, altered timbres, and extended range, to name a few. Van Cleve bolsters this book with numerous music examples and professionally-tested fingering charts, and concludes with basic information about the use of electronics for amplification, recording, and sound enhancement. </span></span>
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<span><span>The book’s appendixes include a substantial bibliography of music and literature and a discography including jazz, non-western, and art music recordings. The revised edition incorporates new information about resources now available through the internet and marks the launch of a website that includes examples of all the contemporary sounds as well as audio and video recordings of unreleased compositions. <br></span></span>
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<span><span>In </span><span>Oboe Unbound: Contemporary Techniques</span><span>, Libby Van Cleve opens up the tradition-bound assumptions of the instrument’s capabilities. She discusses:</span></span>
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<ul>
<li><span>standard technique;</span></li>
<li><span>multiphonics, microtones, altered timbres;</span></li>
<li><span>musical examples;</span></li>
<li><span>professionally tested fingering charts;</span></li>
<li><span>use of electronics and amplification;</span></li>
<li><span>recording;</span></li>
<li><span>and sound enhancement.</span><span><br></span></li>
</ul>
<span><span>Preface to the Revised Edition</span></span>
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<span><span>Acknowledgments</span></span>
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<span><span>Chapter 1: Introduction</span></span>
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<span><span>Chapter 2: Monophonic Techniques</span></span>
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<span><span>Chapter 3: Multiphonic Techniques</span></span>
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<span><span>Chapter 4: Other Resources</span></span>
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<span><span>Chapter 5: Electronics for the Oboe: A Primer</span></span>
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<span><span>Selected Music Bibliography</span></span>
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<span><span>Selected Literature Bibliography</span></span>
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<span><span>Selected Discography</span></span>
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<span><span>Appendix A: Standard Fingering Chart for the Oboe</span></span>
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<span><span>Appendix B: </span><span>Apocrypha</span><span> score</span></span>
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<span><span>Appendix C: Online Recordings</span></span>
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<span><span>Appendix D: Diagram of symbols and oboe keys</span></span>
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<span><span>Index </span></span>
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<span><span>About the Author</span></span>
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<span></span>
<span><span>In writing </span><span>Oboe Unbound: Contemporary Techniques</span><span>, author Libby Van Cleve seeks to open up the tradition-bound assumptions of the instrument’s capabilities. Not only does she include descriptions of the oboe’s standard technique from range and reeds to the use of vibrato, she provides a discussion of the many techniques that have recently been utilized—multiphonics, microtones, altered timbres, extended range, and many others—along with numerous music examples and fingering charts that have been tested by a range if oboists with varying reed styles and instruments. A concluding chapter provides basic information about the use of electronics for amplification, recording, and sound enhancement.</span></span>
<span><span>Libby Van Cleve</span><span> is recognized as one of the foremost interpreters of chamber and contemporary music for the oboe. She is the oboe teacher at Wesleyan University and Connecticut College, and the Director of Oral History of American Music at Yale University.</span></span>

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